Wesley found his love for sound ever since watching the city symphony scene in Kirsten Sheridan's film, August Rush; where sound was used as a metaphor to show how everything and everyone is fundamentally connected. Since then Wesley recognized the importance of all elements of sound in storytelling.

He studied sound design and music for films at Academy of Art University. Though the university costed him another leg (he's a below the knee amputee), it was worth every penny. After watching countless black and white footage of old ladies pushing baby strollers down stairs, Wesley segued into production sound so that he can capture it all in its most authentic state; whether it be documentary, narrative, or a apocalyptic world where old ladies are pushing baby strollers down stairs. Having a background in post-production sound made Wesley a better production sound mixer.

Wesley's passion for sound is just as strong as his love for his collaborators :)

*Mic drop. . .